Call for Papers and Artworks 2024


“Creative Digital Intelligence”

Authors are invited to submit papers and exhibition artwork proposals from all areas related to creative digital art, emphasising artefacts, art installations, and general-purpose interactive artworks, which an international committee will review.

Descriptions of artistic practices, authorship or co-authorship with graphic records (such as images, diagrams, links to dynamic images, drawings, sketches, etc.) are valued.

The conference will be in hybrid mode and on-site with online participation.

ARTeFACTo2024MACAO conference format with technical sessions, invited talks, discussion panels, and exhibition areas for artefacts and installations. Contributions can be in full papers, short papers and proposals for artefact exhibitions/art installations.

Authors are invited to submit:

  • A full paper of six to ten pages for oral presentation. Artefact descriptions are welcome, embracing part of the overall creation process, from seminal concept and implementation until the final exhibition preparation or the fruition experience analysis;
  • A short paper of up to four pages of conceptual and technical information concerning artefact/art installations and interactive artwork proposals.


Topics of interest include (but are not limited to):

  • AI-Generated Art
  • Augmented Reality and Immersive Art
  • Art and Technology
  • AI in Music Composition
  • AI and Transhumanism
  • AI and Arts
  • AI and Design
  • AI and Film-making
  • AI and Game Development
  • Algorithmic Art & Design
  • Creative Coding
  • Computational Creativity
  • Digital Art and Communication
  • Digital Culture and Media
  • Digital Sound and Music
  • Digital Transmedia Storytelling
  • Digital Dance & Body Poetics
  • VideoArt and VideoMapping
  • Generative Art
  • Interactive Film
  • Generative Art
  • Information and Data Visualization
  • BioArt, NanoArt and xArt
  • Tangible and Gestures Interfaces
  • Digital Serious Game
  • Virtual Reality and Immersive Experiences
  • Digital Intelligence and Social Impact
  • Digital Intelligence and Identity
  • Media and Information Literacy
  • Ethical Implications of Creative AI
  • Storytelling
  • Digital Narratives

The International Scientific and Artistic Committee is composed of experts in various disciplines. The conference program will consist of keynote sessions by eminent specialists, oral presentations of the contributed papers, art installations and videos of work-in-progress.

Authors of selected papers presented at the conference (including essays describing the best art installations) will be published primarily in the ARTeFACTo Conference Proceedings IEEE Xplore – International Conference on Digital Creation in Arts, Media and Technology (ARTeFACTo) – (TBC) as well as invited to submit extended versions to one of the following journals:

  • Journal of Science and Technology of the Arts (Special Issue – ( (ISI-WoS Thomson Reuters – ESCI index, Scopus Elsevier and ProQuest)
  • International Journal of Creative Interfaces and Computer Graphics. ISSN: 1947-3117 ( (ACM Database).
  • *Revista Comunicar. ISSN:1134-3478 ( ) (ISI-WoS Thomson Reuters, Scopus Elsevier)
  • International Journal of Education through Art. ISSN: 1743-5234 (,id=121/ ) (Scopus Elsevier)
  • *Revista Ibérica de Sistemas e Tecnologias de Informação. ISSN:1646-9895 ( (ISI-WoS Thomson Reuters, Scopus Elsevier)

(* journals under negotiation)


Papers and Artefacts Submission Deadline Aug, 15th
Acceptance Notice Oct 15th
Final Version Nov, 15th
Early Bird Registration (all) Oct 16th
Author Registration Deadline Nov 10th
Participant Registration Dec 5th

ARTeFACTo 2024 MACAO uses a double-blind reviewing process. As such, submitted papers/artefacts/installation proposals should not have any author and institutional identification in the title and header areas or the body of the paper.

  • Name, organization, country and e-mail addresses of each author
  • Name of the contact author
  • A list of keywords


Submissions must follow the IEEE guidelines.

Please refer to the following page for more instructions in preparing your article with Microsoft Word / Latex. Click here.
Technical questions regarding the template can be directed to

Photos, colour pictures or graphics must be inserted only on two pages (full paper) or one page (short paper, artefact/installation proposals).

The submission of a paper or art installation implies the intention of at least one of the authors to register and attend the conference to perform a spoken presentation. Papers accepted and presented by one of the authors will appear in the conference proceedings. The final version of accepted papers should be submitted with the names of the authors and institutions (there’s no need for a further blind review).


Papers will be published as a Book of Proceedings with ISBN / ISSN  and available through FAH’s Digital Library. Also, the conference proceedings will be submitted to the international indexing database Scopus and Web Of Science (via IEEE).
Authors of selected papers presented at the conference (including essays describing the best art installations) will be published primarily as extended versions in the ART(e)FACT(o) Journal (ISSN: 2184-2086) and also invited to submit extended versions to one of the following journals (under negotiation):
        • Journal of Science and Technology of the Arts (ISSN: 1646-9798) ( (Web of Science, Scopus).
        • *Poetics – Journal of Empirical Research on Culture, the Media and the Arts (ISSN: 0304-422X) ( (Scopus)
        • *Revista Comunicar (ISSN:1134-3478) ( ) (Web of Science, Scopus)
        • *International Journal of Education through Art (ISSN: 1743-5234) (,id=121/ ) (Web of Science, Scopus)


We are waiting for approvals from the CMT Microsoft.