Important dates

IMPORTANT DATES

SUBMISSIONS

Papers and Artefacts Submission Deadline Aug, 15th
Acceptance Notice Oct 15th
Final Version Nov, 15th

REGISTRATIONS

Early Bird Registration (all) Oct 16th
Author Registration Deadline Nov 10th
Participant Registration Dec 5th

 

Call for Papers and Artworks 2024

CALL FOR  ARTWORKS AND PAPERS

“Creative Digital Intelligence”

Authors are invited to submit papers and exhibition artwork proposals from all areas related to creative digital art, emphasising artefacts, art installations, and general-purpose interactive artworks, which an international committee will review.

Descriptions of artistic practices, authorship or co-authorship with graphic records (such as images, diagrams, links to dynamic images, drawings, sketches, etc.) are valued.

The conference will be in hybrid mode and on-site with online participation.

ARTeFACTo2024MACAO conference format with technical sessions, invited talks, discussion panels, and exhibition areas for artefacts and installations. Contributions can be in full papers, short papers and proposals for artefact exhibitions/art installations.

Authors are invited to submit:

  • A full paper of six to ten pages for oral presentation. Artefact descriptions are welcome, embracing part of the overall creation process, from seminal concept and implementation until the final exhibition preparation or the fruition experience analysis;
  • A short paper of up to four pages of conceptual and technical information concerning artefact/art installations and interactive artwork proposals.

MAIN TOPICS

Topics of interest include (but are not limited to):

  • AI-Generated Art
  • Augmented Reality and Immersive Art
  • Art and Technology
  • AI in Music Composition
  • AI and Transhumanism
  • AI and Arts
  • AI and Design
  • AI and Film-making
  • AI and Game Development
  • Algorithmic Art & Design
  • Creative Coding
  • Computational Creativity
  • Digital Art and Communication
  • Digital Culture and Media
  • Digital Sound and Music
  • Digital Transmedia Storytelling
  • Digital Dance & Body Poetics
  • VideoArt and VideoMapping
  • Generative Art
  • Interactive Film
  • Generative Art
  • Information and Data Visualization
  • BioArt, NanoArt and xArt
  • Tangible and Gestures Interfaces
  • Digital Serious Game
  • Virtual Reality and Immersive Experiences
  • Digital Intelligence and Social Impact
  • Digital Intelligence and Identity
  • Media and Information Literacy
  • Ethical Implications of Creative AI
  • Storytelling
  • Digital Narratives

The International Scientific and Artistic Committee is composed of experts in various disciplines. The conference program will consist of keynote sessions by eminent specialists, oral presentations of the contributed papers, art installations and videos of work-in-progress.

Authors of selected papers presented at the conference (including essays describing the best art installations) will be published primarily in the ARTeFACTo Conference Proceedings IEEE Xplore – International Conference on Digital Creation in Arts, Media and Technology (ARTeFACTo) – (TBC) as well as invited to submit extended versions to one of the following journals:

  • Journal of Science and Technology of the Arts (Special Issue – (http://artes.ucp.pt/citarj) (ISI-WoS Thomson Reuters – ESCI index, Scopus Elsevier and ProQuest)
  • International Journal of Creative Interfaces and Computer Graphics. ISSN: 1947-3117 (http://www.igi-global.com/IJCICG) (ACM Database).
  • *Revista Comunicar. ISSN:1134-3478 (http://www.revistacomunicar.com/ ) (ISI-WoS Thomson Reuters, Scopus Elsevier)
  • International Journal of Education through Art. ISSN: 1743-5234 (http://www.intellectbooks.co.uk/journals/view-Journal,id=121/ ) (Scopus Elsevier)
  • *Revista Ibérica de Sistemas e Tecnologias de Informação. ISSN:1646-9895 (http://www.risti.xyz/) (ISI-WoS Thomson Reuters, Scopus Elsevier)

(* journals under negotiation)

IMPORTANT DATES

Papers and Artefacts Submission Deadline Aug, 15th
Acceptance Notice Oct 15th
Final Version Nov, 15th
Early Bird Registration (all) Oct 16th
Author Registration Deadline Nov 10th
Participant Registration Dec 5th

ARTeFACTo 2024 MACAO uses a double-blind reviewing process. As such, submitted papers/artefacts/installation proposals should not have any author and institutional identification in the title and header areas or the body of the paper.

  • Name, organization, country and e-mail addresses of each author
  • Name of the contact author
  • A list of keywords

TEMPLATE 

Submissions must follow the IEEE guidelines.

Please refer to the following page for more instructions in preparing your article with Microsoft Word / Latex. Click here.
Technical questions regarding the template can be directed to conferencepublishing@ieee.org.

Photos, colour pictures or graphics must be inserted only on two pages (full paper) or one page (short paper, artefact/installation proposals).

The submission of a paper or art installation implies the intention of at least one of the authors to register and attend the conference to perform a spoken presentation. Papers accepted and presented by one of the authors will appear in the conference proceedings. The final version of accepted papers should be submitted with the names of the authors and institutions (there’s no need for a further blind review).

PROCEEDINGS

Papers will be published as a Book of Proceedings with ISBN / ISSN  and available through FAH’s Digital Library. Also, the conference proceedings will be submitted to the international indexing database Scopus and Web Of Science (via IEEE).
Authors of selected papers presented at the conference (including essays describing the best art installations) will be published primarily as extended versions in the ART(e)FACT(o) Journal (ISSN: 2184-2086) and also invited to submit extended versions to one of the following journals (under negotiation):
        • Journal of Science and Technology of the Arts (ISSN: 1646-9798) (http://artes.ucp.pt/citarj) (Web of Science, Scopus).
        • *Poetics – Journal of Empirical Research on Culture, the Media and the Arts (ISSN: 0304-422X) (https://www.journals.elsevier.com/poetics) (Scopus)
        • *Revista Comunicar (ISSN:1134-3478) (http://www.revistacomunicar.com/ ) (Web of Science, Scopus)
        • *International Journal of Education through Art (ISSN: 1743-5234) (http://www.intellectbooks.co.uk/journals/view-Journal,id=121/ ) (Web of Science, Scopus)

SUBMISSIONS

We are waiting for approvals from the CMT Microsoft.
https://cmt3.research.microsoft.com/About

Presentation



EMERGING EXTENDED REALITIES

ARTeFACTo 2022 MACAO will be held on the 24th and 25th of November 2022 at the University of Saint Joseph, in Macau S.A.R. (China) and hosted by the Faculty of Arts and Humanities. The goal of the conference is to promote interest in the current digital media culture and its intersection with art, communication and technology as an important research field while focusing on the study of digital media artefacts, embracing topics covering their conceptualization, design, creative/art practice/research processes, computational implementation, exhibition and fruition as well their role in today’s information and knowledge society, fostering the establishment of the conceptual foundations of an artefact theory in the digital media world.

ARTeFACTo 2022 MACAO aims at giving greater visibility to artefact creators and researchers, theorists or practitioners, establishing a common space for the discussion and exchange of new experiences while fostering a better understanding of digital arts and culture across a wide spectrum of cultural, disciplinary, and professional practices. To this end, we cordially invite scholars, teachers, researchers, artists, computer professionals, and others working within the broadly defined areas of digital media arts, communication, culture and education, with a specific focus on artefacts and artistic installations, to join us.

ARTeFACTo 2022 MACAO‘s International Scientific and Artistic Committee comprises experts in various disciplines. The conference program will consist of keynote speakers by eminent specialists, oral presentations (local and remote) of the contributed papers, art installations, videos and posters of work in progress.

Keynote Speakers

KEYNOTE SPEAKERS

Biography

Written by AI assistant: (jassper.ai)
Dr. Lev Manovich is a digital culture theorist, writer, and artist whose work has had a profound impact on the way we think about media and technology today. His books include Cultural AnalyticsAI AestheticsInstagram and Contemporary Image, and The Language of New Media. He has been included in the list of “25 People Shaping the Future of Design” in 2013 and the list of “50 Most Interesting People Building the Future” in 2014. Recognized as one of the most influential voices in contemporary media theory, Dr. Manovich’s work is essential reading for anyone interested in understanding the role of technology in contemporary society.
http://manovich.net

 

/////////////////////////////////////////////////////////////////////////////////////////////////////////

Biography

Samuel Bianchini is an artist and associate professor at the École Nationale Supérieure des Arts Décoratifs—Paris (EnsAD) / PSL University Paris.

Supporting the principle of an “operational aesthetic,” he works on the relationship between the most forward-looking technological “dispositifs”, modes of representation, new forms of aesthetic experiences, and sociopolitical organizations, often in collaboration with scientists and natural science and engineering research laboratories.

His works are regularly shown in Europe and across the world: MAAT (Museum Art Architecture Technology, Lisbon), Zürcher Gallery (New York), Wood Street Galleries (Pittsburgh), Nuit Blanche Toronto, Waterfall Gallery (New York), Medialab Prado (Madrid), Palais de Tokyo (Paris), Kunsthaus PasquArt (Biel), Art Basel, Institut Français of Tokyo, Stuk Art Center (Leuven), Fiac, Centre Georges Pompidou (Paris), Deutsches Hygiene-Museum (Dresden), National Museum of Contemporary Art (Athens), Jeu de Paume (Paris), Laboratoria (Moscow), Thessaloniki Biennale, Centre pour l’Image Contemporaine (Geneva), space_imA and Duck-Won Gallery (Seoul), Museum of Contemporary Art Ateneo de Yucatán (Mexico), ZKM (Karlsruhe), Musée d’Art Moderne de la Ville de Paris, etc…
https://dispotheque.org

/////////////////////////////////////////////////////////////////////////////////////////////////////////

Biography & RESUME

 

Dr. Li Jiaqi, assistant professor, Faculty of Humanities and arts, Macau University of science and technology. Doctor of science, major in information technology. He has been engaged in teaching and scientific research in the direction of digital media for many years. He has published papers in image processing, artificial intelligence, game research and other

directions. He is a participant in the game industry and a deep participant in the ACG field. He is committed to studying independent game culture, game history and culture, Animation culture and other ACG subculture fields.

https://www.must.edu.mo/images/FA/files/LiJiaQi_EN.pdf

Venue

VENUE

ARTeFACTo 2022 MACAO will be held on the 24th and 25th of November 2022 at the University of Saint Joseph, Macao SAR, China.

VENUE | USJ LIBRARY CONFERENCE ROOM

University of Saint Joseph | The most International University in Macao.

CAMPUS VR EXPERIENCE – click here

CONTACT

E-mail: artefacto2022.conf@gmail.com

Organization

ORGANISATION

HONORARY CHAIR

Adérito Fernandes-Marcos, ARTECH-International / University of Saint Joseph, Macao

GENERAL CHAIRS

Carlos Sena Caires, University of Saint Joseph, Macao
Álvaro Barbosa, University of Saint Joseph, Macao

INTERNATIONAL SCIENTIFIC AND ARTISTIC COMMITTEE

PRESIDENT

Gerald Estadieu, University of Saint Joseph, Macao

VICE-PRESIDENT

Filipa Martins de Abreu, University of Saint Joseph, Macao
Filipe Pais, ENSAD, France
Koray Tahiroglu, Aalto University, Finland
Li Jiaqi, Macau University of Science and Technology, Macao

MEMBERS

Adam Nash, RMIT University (AU)
Adérito Fernandes-Marcos, ARTECH-International / University of Saint Joseph, Macao (CN)
Aleksei Lipovka, Siberian Federal University (RU)
Alexandra Cruchinho, Lusófona University (PT)
Alicia González-Pérez, University of Extremadura (ES)
Amilcar Cardoso, University of Coimbra (PT)
Ana Amélia Carvalho, University of Coimbra (PT)
Ana Cláudio Melo, Federal University of Pará (BR)
Ana Veloso, University of Aveiro (PT)
Anamaria Rezende Galeotti, Universidade Anhembi Morumbi (BR)
Andrey Grigoriev, Nosov Magnitogorsk State Technical University (RU)
Andrew Denton, Auckland University of Technology (NZ)
André Baltazar, Catholic University of Portugal (PT)
André Wilson Salgado, Federal Institute of Amazonas (BR)
Andre Perrotta, Catholic University of Portugal (PT)
Antenor Correa, University of Brasília (BR)
Anthony Lewis Brooks, Aalbor University (DK)
Anton Nijholt, University of Twente (NL)
António Araújo, Portuguese Open University (PT) (Vice-President)
António Costa Valente, University of Algarve (PT)
Benjamin Falchuk, Peraton Labs (US)
Bongkeum Jeong, University of Madeira (PT)
Boris Vaitovic, Technical University of Kosic (SK)
Bruno Mendes da Silva, University of Algarve (PT)
Carlos Sena Caires, University of Saint Joseph, Macao (CN)
Cecilia de Lima, University of Lisbon (PT)
Cecilia Suhr, Miami University (USA)
Celso Prudente, Federal University of Mato Grosso (BR)
Cleomar Rocha, Federal University of Goiás (BR)
Cristina Sá, Catholic University of Portugal – Porto (PT)
Daniel Brandão, University of Minho (PT)
David Mould, Carleton University (CA)
Dorotea Souza Bastos, Federal University of the Recôncavo da Bahia (BR)
Diogo Marques, Center for Portuguese Literature, University of Coimbra / wr3ad1ng d1g1t5 collective (PT)
Edson Pfutzenreuter, State University of Campinas (BR)
Eduardo Lima, Federal University of São João del-Rei (BR)
Emília Simão, Portucalense University / Portuguese Catholic University (PT)
Emilio Martinez, Polytechnic University of Valencia (ES)
Fabiana Wielewicki, Federal University of Amazonas (BR)
Fábio Santos de Andrade, Federal University of Rondônia
Fabrizio Augusto Poltronieri, De Montfort University (UK)
Filipe Salles, State University of Campinas (BR)
Gabriela Borges, Federal University of Juiz de Fora (BR)
Gavin Perin, University of Technology, Sydney
Gilbertto Prado, University of São Paulo (BR)
Gilvano Dalagna, University of Aveiro (PT)
Hanspeter Ammann, King Mongkut’s University of Technology Thonburi
Haroldo Gallo, State University of Campinas (BR)
Heitor Alvelos, University of Porto
Helena Barranha, University of Lisbon (PT)
Hosana Celeste, Oliveira, Paulista State University (BR)
Ionat Zurr, University of Western Australia (AU)
Isabel Azevedo, ID+ University of Porto (PT)
Isabel Cristina Carvalho, Portuguese Open University (PT)
Isabel Soveral, University of Aveiro (PT)
Ivan Franco, McGill University (CA)
Joana Pestana, Catholic University of Portugal (PT)
João Cordeiro, University of West London (UK)
João Paulo Queiroz, University of Lisbon (PT)
Jônatas Manzolli, State University of Campinas (BR)
Jorge Cardoso, University of Coimbra (PT)
Jorge Salgado Correia, University of Aveiro (PT)
José Alberto Gomes, Catholic University of Portugal (PT)
José Gabriel Andrade, University of Minho (PT)
José Bidarra, Portuguese Open University (PT)
José Pereira, Polytechnic Institute of Viseu (PT)
Júlio Borlido Santos, i3s – University of Porto (PT)
Leonel Morgado, Portuguese Open University (PT)
Lindsay Grace, University of Miami (USA)
Lucas Fabian Olivero, Portuguese Open University (PT)
Lucia Pimentel, Federal University of Minas Gerais (BR)
Lucia Santaella, Pontifical Catholic University of São Paulo (BR)
Ludmila Pimentel, Federal University of Bahia (BR)
Luis Teixeira, Catholic University of Portugal (PT)
Luiz Carlos Ferreira , Federal Institute of Amazonas (BR)
Márcio Lobo Netto, University of São Paulo (BR)
Marcos Mortensen Steagall, Auckland University of Technology (NZ)
Marcos Mucheroni, University of São Paulo (BR)
Maria Amélia, Bulhões, Federal University of Rio Grande do Sul
Maria de Lambert, Polytechnic Institute of Porto (PT)
Maria Luiza, Fragoso, Federal University of Rio de Janeiro (BR)
Maria Manuela Lopes, ESE – IPP, I3s- University of Porto and Cultivamos Cultura (PT)
Mário Vairinhos, University of Aveiro (PT)
Marta de Menezes, Cultivamos Cultura (Cultural Association) (PT)
Masood Masoodian, Aalto University (FI)
Milton Sogabe, Anhembi Morumbi University (BR)
Mirian Tavares, University of Algarve (PT)
Mirtes Oliveira, Anhembi Morumbi University (BR)
Monica Tavares, University of São Paulo (BR)
Mónica Mendes, University of Lisbon (PT)
Nara Cristina, Santos, Federal University of Santa Maria (BR)
Né Barros, Balleteatro, ESAD – School of Arts and Design
Nelson Zagalo, University of Aveiro (PT)
Noeli Batista dos Santos, Federal University of Goiás (BR)
Nuno Correia, Nova University of Lisbon (PT)
Nuno Dias, University of Aveiro (PT)
Nuno Martins, Polytechnic Institute of Cávado and Ave
Nuno Do Nascimento Correia, University of Greenwich (UK)
Óscar Mealha, University of Aveiro (PT)
Pau Alsina, Open University of Catalonia (ES)
Paulo Bernardino, University of Aveiro (PT)
Paulo Emílio, University of Pernambuco (BR)
Paulo Teles, State University of Campinas (BR)
Patrícia, Gouveia, University of Lisbon (PT)
Pavel Orlov, London School of Mathematics and Programming (UK)
Pedro Alves da Veiga, Portuguese Open University (PT)
Pedro Andrade, University of Minho (PT)
Pedro Cabral Santo, University of Algarve (PT)
Penousal Machado, University of Coimbra (PT)
Pilar Pérez Autónoma University of Madrid (ES)
Priscila Arantes, Anhembi Morumbi University (BR)
Rachel Zuanon, Anhembi Morumbi University
Ralf Doerner, Rhein-Main University of Applied Sciences (DE)
Rosana Monteiro, Federal University of Goiás (BR)
Rosangella Leote, São Paulo State University (BR)
Rogéria Eler, Federal University of Goiás (BR)
Rogério Almeida, São Paulo University (BR)
Rui António, University of Algarve (PT)
Rui Penha, University of Porto (PT)
Selma Pereira, Polytechnic Institute of Castelo Branco (PT)
Sérgio Eliseu, University of Aveiro (PT)
Sol Alonso Romera, University of Vigo (ES)
Suzana Dias, Polytechnic Institute of Cávado and Ave (PT)
Suzete Venturelli, Anhembi Morumbi University (BR)
Teresa Barradas, Polytechnic Institute of Beja (PT)
Tiago Batista, University of Lisbon (PT)
Tiago Cruz, University Institute of Maia (PT)
Vasco Branco, University of Aveiro (PT)
Victoria Vesna, University of California in Los Angeles – Design Media Arts (USA)
Vítor Sá, Catholic University of Portugal – Braga (PT)
Filipe Pais, École nationale supérieure des arts décoratifs (FR)
Ianis Lallemand, Esad TALM-Le Mans / École nationale supérieure des Arts Décoratifs (FR)
Samuel Bianchini, École nationale supérieure des arts décoratifs (FR)
Gustavo Martins, Universidade Católica Portuguesa (PT)
Daniel Ribas, School of Arts, Catholic University of Portugal (PT)
Koray Tahiroglu, Aalto University, School of Arts, Design and Architecture, Finland (FI)
Paulo Ferreira Lopes, Johannes Gutenberg University of Mainz (G)
Hande Ayanoglu, Universidade Europeia (PT)
Raquel Morais, Faculdade de Belas Artes do Porto (FBAUP), Portugal (PT)
Sheyla Zandonai, University of Macau (MO)
Mei Kei Lai, Macao Polytechnic University (MO)
Carlos Valente, Universidade da Madeira, Funchal (PT)

LOCAL ORGANISATION COMMITTEE

ORGANISATION CHAIR

Filipa Martins de Abreu, University of Saint Joseph, Macao

EXHIBITION CHAIR

Daniel Filipe Farinha, University of Saint Joseph, Macao

PUBLICITY AND SOCIAL MEDIA CHAIR

Sandra Ng, University of Saint Joseph, Macao

WEB CHAIR

Pedro Alves da Veiga, Portuguese Open University (PT)

Filipa Simões, WhyDesign, Macao
Filipe Afonso, University of Saint Joseph, Macao
Francisco Vizeu Pinheiro, University of Saint Joseph, Macao
José Manuel Simões, University of Saint Joseph, Macao
João Nuno Brochado, University of Saint Joseph, Macao
Nuno Soares, University of Saint Joseph, Macao

SECRETARIAT

Anabela Wong, University Secretariat Office, USJ, Macao
Hugo Domingos, University Secretariat Office, USJ, Macao

TECHNICAL SUPERVISOR

Rui Borges, University of Saint Joseph, Macao

ART(e)FACT(o) MACAO 2022 is hosted by the Faculty of Arts and Humanities of the University of Saint Joseph, Macao S.A.R. (China).

 

SPONSORED BY

Call for Papers and Artworks

CALL FOR  ARTWORKS AND PAPERS

ARTeFACTo 2022 MACAO has a conference format with technical sessions, invited talks, discussion panels, and exhibition areas for artefacts and installations. Contributions can be in full papers, short papers and proposals for artefact exhibitions/art installations.

Authors are invited to submit:

  • A full paper of six to ten pages for oral presentation. Artefact descriptions are welcome, embracing part of the overall creation process, from seminal concept, and implementation until the final exhibition preparation or the fruition experience analysis;
  • A short paper of up to four pages of conceptual and technical information concerning artefact/art installations and interactive artwork proposals.

Due to the current pandemic situation and the travel restrictions, the conference will be on a hybrid mode; on-site and online participation are welcome. We are welcoming digital representation of artefacts/art installations to present them in a virtual exhibition if possible.

Submissions are accepted in the conference’s official languages: English and Portuguese*.

*If your paper or artefact/installation proposal is in Portuguese, please prepare an English version of the title and abstract (200 to 500 words).

MAIN TOPICS

Topics of interest include (but are not limited to)

  • Virtual and Mixed Reality
  • Augmented Reality and Immersive Art
  • Art and Technology
  • Digital Art and Communication
  • Digital Culture and Media
  • Digital Sound and Music
  • Digital Transmedia Storytelling
  • Information and Data Visualization
  • Digital Dance & Body Poetics
  • VideoArt and VideoMapping
  • Interactive Film
  • Generative Art
  • Algorithmic Art & Design
  • BioArt, NanoArt and xArt
  • Tangible and Gestures Interfaces
  • Digital Serious Game
  • Art Game
  • Digital Poetry & Electronic Literature

ARTeFACTo 2022 MACAO uses a double-blind reviewing process. As such, submitted papers/artefacts/installation proposals should not have any author and institutional identification in the title and header areas, nor in the body of the paper.

Explicit self-references should be avoided. Instead, authors citing their own prior work should discuss it in the third person (“Previous work by <Author> [X1]…” instead of “In our previous work [X1]…”). Authors should also avoid mentioning the names of institutions where the work was done (“participants were recruited from the university campus”, instead of “participants were recruited from the <Institution name>”). Authors should also avoid clear identification of their affiliation in figures and supplementary material and remove metadata from submission files.

 

In addition to the anonymized text for each paper, separate identification info must be provided at Easy Chair:

  • Name, organization, country and e-mail addresses of each author
  • Name of the contact author
  • A list of keywords

TEMPLATE

Submissions must follow the IEEE guidelines.

Please refer to the following page for more instructions in preparing your article with Microsoft word / Latex. Click here.
Technical questions regarding the template can be directed to conferencepublishing@ieee.org.

Photos, colour pictures or graphics must be inserted only in two pages (full paper) or one page (short paper, artefact/installation proposals).

The submission of a paper or art installation implies the intention of at least one of the authors to register and attend the conference to perform a spoken presentation. Papers accepted and presented at the conference by one of the authors will appear in the conference proceedings. The final version of accepted papers should be submitted with the name of the authors and institutions (there’s no need for a further blind review).

PROCEEDINGS

Papers will be published as a Book of Proceedings with ISBN / ISSN  and available through FAH’s Digital Library. Also, the conference proceedings will be submitted to the international indexing database Scopus and Web Of Science (via IEEE sponsorship).
Authors of selected papers presented at the conference (including essays describing the best art installations) will be published primarily as extended versions in the ART(e)FACT(o) Journal (ISSN: 2184-2086) and also invited to submit extended versions to one of the following journals (under negotiation):
        • Journal of Science and Technology of the Arts (ISSN: 1646-9798) (http://artes.ucp.pt/citarj) (Web of Science, Scopus).
        • *Poetics – Journal of Empirical Research on Culture, the Media and the Arts (ISSN: 0304-422X) (https://www.journals.elsevier.com/poetics) (Scopus)
        • *Revista Comunicar (ISSN:1134-3478) (http://www.revistacomunicar.com/ ) (Web of Science, Scopus)
        • *International Journal of Education through Art (ISSN: 1743-5234) (http://www.intellectbooks.co.uk/journals/view-Journal,id=121/ ) (Web of Science, Scopus)

SUBMISSIONS

Submit here: https://easychair.org/conferences/?conf=artefacto2022

Fees and Registration

FEES

EARLY BIRD
Until 2022-10-31

REGULAR
Starting 2022-11-01

On-site Presentation
For Authors
Online Presentation
For Authors
On-site OR Online
For Participants (Non-Authors)
FREE FREE

REGISTRATION FORM

To register, please fill out the form, and follow the instructions.

https://events.usj.edu.mo/register/ARTEFACTO2022
Registration is mandatory for all participants.

TRAVELLING REMARKS
COVID-19 Measures and Important notes for Tourists Visiting Macao

Macau Tourism Information

https://www.macaotourism.gov.mo/en/article/notice/covid19-notice

Latest epidemic-prevention measures for arrivals at Macao (COVID-19)
https://www.gcs.gov.mo/ncv/annex/index.html?p=0&l=en

Important dates

IMPORTANT DATES

SUBMISSIONS

Submissions Deadline Aug 2nd
(Extended Deadline
31st of August 2022)
Acceptance Notice Sept 30th, 2022
Final Version Oct 14th, 2022

REGISTRATION

Early Bird Registration (all) Oct 14th, 2022
Author Registration Deadline Nov 1st, 2022
Participant Registration Nov 24th, 2022

 

Presentation

ARTeFACTo 2018 is the 1st International Conference on Transdisciplinary Studies in Arts, Technology and Society, hosted by Aberta University, in Lisbon, Portugal.

The inaugural edition of the ARTeFACTo conference will be held on the 16th and 17th of November, at Palácio Ceia, in Lisbon, Portugal, and will be live streamed:

On the 16th –  https://videoconf-colibri.zoom.us/j/845939500

Palácio Ceia

The goal of the conference is to promote the interest in the current digital/media culture and its intersection with art and technology as an important research field while focusing on the study of the digital media / computer artefacts embracing topics covering their conceptualization, design, creative/art practice/research processes, computational implementation, exhibition and fruition as well their role on today’s information and knowledge society. Also welcome are articles fostering the establishment of the conceptual foundations of an artefact theory in the digital media world.

ARTeFACTo 2018 aims at giving greater visibility to artefact creators or interveners, being these theorists or practitioners, establishing a common space for discussion and exchange of new experiences from transdisciplinary humanistic and holistic perspectives while fostering a better understanding about digital arts and culture across a wide spectrum of cultural, disciplinary, and professional practices.

To this end, we cordially invite scholars, teachers, researchers, artists, computer professionals, and others who are working within the broadly defined areas of digital arts, culture and education with specific focus on artefacts and installations to join us.

Conference photo gallery (click here)

Conference Program

16th of November

LIVE STREAMING – https://videoconf-colibri.zoom.us/j/845939500


9:00 Registration and Reception


9:30 Opening Session

Aberta University Dean
President of Artech-International
Director of CIAC
International Scientific and Artistic Committee Chairman
Organising Committee Chairman

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10:00 Opening Performance – Keynote Artist

Ode to Christus Hypercubus: creative process of a multimodal performance

Jônatas ManzolliUniversity of Campinas, Brazil
Helena Marinho (pianist), University of Aveiro, Portugal
Beatriz Maia (soloist), University of Aveiro, Portugal

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10:30 Coffee Break and Opening Exhibition – All Artists

Session chair: Pedro Alves da Veiga, Aberta University, Portugal

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11:15 Opening Keynote

«Trans» approaches: from myth to realities (click to download)

Florent Pasquier, Sorbonne University, France

Session chair: Adérito Fernandes-Marcos, Aberta University, Portugal

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11:45 Panel Session (short-papers – 15 mins)

Pablo-Martín Córdoba. L’inter-code
Tiago Cruz, Fernando Paulino, Mirian Tavares. CulturalNature Arga#4: Meta-representações da Paisagem
Maria Matos. Gut
Camila Mangueira Soares. Selfie-tracking
Hernando Urrutia. + PROJECTION AC – Contemporary Art Video Artefact Projection in the Public Space

Session chair: Elizabeth Carvalho, Aberta University, Portugal


13:00 Lunch


14:30 Panel Session (full-papers – 20 mins)

Diogo Marques. The Fool, the Sage, the Bard (into the Machine): Knocking Down Ivory Towers through Creative Research
Adriana Nunes, Pedro Martins, Amílcar Cardoso. Video Sonification
Bruno Mendes da Silva, Mirian Tavares. Cadavre Exquis Expanded

Session chair: António Araújo, Aberta University, Portugal


15:30 Keynote Speaker

The Magic Trick of Vanishment: why the term “future” no longer suits a medialab

Heitor Alvelos, University of Porto, Portugal

Session chair: José Bidarra, Aberta University, Portugal

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16:00 Coffee Break


16:15 Invitro-Gerador Panel Session (short-papers – 15 mins)

Paulo Teles
Pedro Veiga
Teresa Barradas
wreading digits

Session chair: Bruno Silva, University of Algarve, Portugal


17:30 Brainshops (Brainstorming Workshops)

Session chairs:
Adérito Fernandes-Marcos, Aberta University, Portugal
Jônatas Manzolli
, University of Campinas, Brazil
Priscila Arantes
, Paço das Artes and Anhembi Morumbi University, Brazil

At ARTeFACTo 2018 we will be testing a new ground-breaking concept: the brainshop = BRAINstorming + workSHOP. There will be three co-creative sessions, presided by leading names in the transdisciplinary areas of Art, Technology and Science, where all participants will be invited to take part. The sessions will last for approximately 30-40 minutes and aim at producing as output research and collaboration ideas for projects, performances, artworks, artefacts or future conference tracks. This will be an opportunity for all the participants to creatively engage in profitable discussions, to work with authors, artists and experienced researchers in their areas of expertise, potentially giving birth to new research projects and collaborations.  Conclusions from all three brainshops will be presented before the closing session by their respective leaders.


18:30 Musical Performance

Jônatas Manzolli, University of Campinas, Brazil

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19:30 Conference Dinner (separate registration required)


17th of November

LIVE STREAMING – https://videoconf-colibri.zoom.us/j/221908645


9:30 Panel Session (full-papers – 20 mins)

Rui Gaspar. Prazer de ler na Prazerosa
Marcos Mucheroni. Galeria de Arte Multimodal, o Tesseracto e o Holograma
Priscila Almeida Cunha Arantes. Memória, Arquivo e Curadoria na Cultura Digital
Mirella Misi, Ludmila Pimentel. Bodymedium como interface conceitual entre as categorias de Embodiment (Merleau-Ponty) e de Embodiment Relations (Don Idhe) aplicado à Dança Digital

Session chair: Adérito Fernandes-Marcos, Aberta University, Portugal


10:50 Coffee Break


11:00 Panel Session (short-papers – 15 mins)

Alicia González-Pérez, José Bidarra, Mauro Figueiredo, Beata Godejord.Breaking barriers in learning Math: Architecture of the MILAGE Learn+ App
Ana María Marques Ibáñez. Ecological videogames as a means to raise environmental awareness
Dorotea Bastos, Mirian Tavares. Corpo-ensaio: experiments on the poetics of the body

Session chair: Elizabeth Carvalho, Aberta University, Portugal


11:45 Brainshops Conclusions

Speakers:
Adérito Fernandes-Marcos, Aberta University, Portugal
Jônatas Manzolli, University of Campinas, Brazil
Priscila Arantes, Paço das Artes and Anhembi Morumbi University, Brazil

Session chair: Pedro Alves da Veiga


12:30 Closing Session

President of Artech-International
Organising Committee Chairman


13:00 Buffet-lunch


15:00 Social Program  (separate registration required)


Social Program

Tickets for the conference dinner and for the social Program must be purchased during the registration process or prior to their start, depending upon availability.

17th of November, 15:00

Private bus towards the Belém district. The tour includes:

Visit to The Monument to the Discoveries (in Portuguese “Padrão do Descobrimentos”).  Created by Cottinelli Telmo (1897–1948) and the sculptor Leopoldo de Almeida (1898–1975), it was first erected in 1940, in a temporary form, as part of the Portuguese World Exhibition. Built with perishable materials, it had a light iron and cement frame, while the moulded sculpture was made of gypsum (formed of plaster and burlap, and reinforced by a wooden and iron structure). The monument was reconstructed in 1960 to mark 500 years since the death of Prince Henry, the Navigator. This time it was made of concrete and rose-tinted Leiria stone masonry, with the sculptures made of Sintra limestone masonry. The Centro Cultural das Descobertas was opened in 1985. Architect Fernando Ramalho remodelled the interior, giving the monument a viewpoint, auditorium and exhibition hall.

Visit to MAAT – The Museum of Art, Architecture and Technology. Presenting itself as a new cultural centre in the city of Lisbon, the MAAT represents an ambition to host national and international exhibitions with contributions by contemporary artists, architects and thinkers. The modern building is the central figure of the 38.000 square meters Campus that the EDP Foundation occupies on the banks of the Tejo River. Here, the iconic power station dating back to the early 1900s, and the new kunsthall designed by London architecture firm Amanda Levete Architects, coexist and offer a diverse cultural programme. The Tejo Power Station has been modernised, maintaining its dedication to science and providing four galleries for the MAAT programming. The two buildings are united by an outdoor park, conceived by landscape architect Vladimir Djurovik, offering an outstanding leisure space along Lisbon’s riverbank.

Tasting of Pastel de Nata (Lisbon’s special custard tarts).

Return to Palácio Ceia.

ARTeFACTo 2018 conference

The inaugural edition of the ARTeFACTo conference, to be held on the 16th and 17th of November, at Palácio Ceia, in Lisbon, Portugal, has just been officially launched, together with the respective calls for participation and papers.

Confirmed Keynote Artists and Speakers

  • Jônatas Manzolli

The goal of the conference is to promote the interest in current digital/media culture and its intersection with art and technology as an important research field, while focusing on the study of the digital media/computer artefacts.

It embraces topics covering their conceptualization, design, creative/art practice/research processes, computational implementation, exhibition and fruition as well as their role on today’s information and knowledge society. Also welcome are topics and participations fostering the establishment of the conceptual foundations of an artefact theory in the digital media world.

Confirmed Keynote Speakers
Florent Pasquier, Paris-Sorbonne University, France (FR)
Heitor Alvelos, University of Porto, Portugal (PT)

Confirmed Keynote Artist
Jônatas Manzolli, Campinas University, São Paulo, Brazil (BR)

Palácio Ceia

ARTeFACTo 2018 aims at giving greater visibility to artefact creators or interveners, being these theorists or practitioners, establishing a common space for discussion and exchange of new experiences from transdisciplinary humanistic and holistic perspectives, while fostering better understanding of digital arts and culture across a wide spectrum of cultural, disciplinary, and professional practices.

To this end, we cordially invite scholars, teachers, researchers, artists, computer professionals, and others who are working within the broadly defined areas of digital arts, culture and education with specific focus on artefacts / installations to join us in Lisbon.

Organization

Honourable Chair

Basarab Nicolescu, CIRET, France (FR)


Conference Chairs

Adérito Fernandes Marcos, Chairman, Aberta University, Portugal (PT)
Gavin Perin, Vice-chair, University of Technology Sydney, Australia (AU)
Marcos Luíz Mucheroni, Vice-chair, São Paulo University, Brazil (BR)
Ângela Saldanha, Vice-chair, European Regional Council – International Society for Education Through Art (ERC – InSEA), Netherlands (NL)


Keynote Artist

Jônatas Manzolli, Campinas University, São Paulo, Brazil (BR)

Keynote Speakers

Florent Pasquier, Paris-Sorbonne University, France (FR)
Heitor Alvelos, University of Porto, Portugal (PT)


International Scientific and Artistic Committee

Pedro Alves da Veiga, President, Aberta University, Portugal (PT)
Carlos Sena Caires, Vice-president, University of Saint Joseph, Macau (MO)

Adam Nash, RMIT University, Australia (AU
Alberto García Ariza, University of Vigo, Spain (ES)
Aleksei Lipovka, Siberian Federal University, Russia (RU)
Alicia González-Pérez, University of Extremadura, Spain (ES)
Ana Amélia Carvalho, University of Coimbra, Portugal (PT)
Anton Nijholt, University of Twente, Netherlands (NL)
António Araújo, Aberta University, Portugal (PT)
António Valente, University of Aveiro, Portugal (PT)
António Lacerda, University of Algarve, Portugal (PT)
Bruno Silva, University of Algarve, Portugal (PT)
Cecília de Lima, Faculdade de Motricidade Humana, Portugal (PT)
Cristina Sylla, University of Minho, Portugal (PT)
Elizabeth Carvalho, Aberta University, Portugal (PT)
F. Amílcar Cardoso, University of Coimbra, Portugal (PT)
Heitor Alvelos, University of Porto, Portugal (PT)
Ido Aharon Iurgel, Rhine-Waal University of Applied Sciences, Germany (DE)
João Paulo Queiroz, University of Lisboa, Portugal (PT)
José Alberto Gomes, Braga Media Arts, Portugal (PT)
José Bidarra, Aberta University, Portugal (PT)
José Coelho, Aberta University, Portugal (PT)
Leonel Morgado, Aberta University, Portugal (PT)
Lucia Pimentel, Federal University of Minas Gerais, Brazil (BR)
Marc Cavazza, University of Kent, United Kingdom (UK)
Maria Potes-Barbas, Instituto Politécnico de Santarém, Portugal (PT)
Mauro Figueiredo, University of Algarve, Portugal (PT)
Mirian Tavares, University of Algarve, Portugal (PT)
Mónica Mendes, University of Lisbon, Portugal (PT)
Né Barros, University of Porto and Balleteatro, Portugal (PT)
Nelson Zagalo, University of Aveiro, Portugal (PT)
Nuno Correia, Nova University of Lisbon, Portugal (PT)
Óscar Mealha, University of Aveiro, Portugal (PT)
Paul Orlov, Imperial College London, United Kingdom (UK)
Penousal Machado, University of Coimbra, Portugal (PT)
Priscila Arantes, Anhembi Morumbi University, Brazil (BR)
Rogéria Eler, Federal University of Goiás, Brazil (BR)
Rosangella Leote,  UNESP, Brazil (BR)
Teresa Chambel, University of Lisbon, Portugal (PT)


Artech Steering Committee

Adérito Marcos, Aberta University, Portugal (PT)
Álvaro Barbosa, University of Saint Joseph, Macau (MO)
Christa Sommerer, Linz University of Arts, Austria (AT)
Henrique Silva, Bienal de Cerveira, Portugal (PT)
Lola Dopico, University of Vigo, Spain-Galicia (ES)
Nuno Correia, Nova University of Lisbon, Portugal (PT)
Seamus Ross, University of Toronto, Canada (CA)


Local Organization Committee

Elizabeth Simão Carvalho, Chairman, Aberta University, Portugal (PT)
António Araújo, Vice-chair, Aberta University, Portugal (PT)
Teresa Teixeira, Aberta University, Portugal (PT)
José Coelho, Aberta University, Portugal (PT)
Virgínia Zaidam, Aberta University, Portugal (PT)
Teresa Oliveira, CIAC-UAb, Aberta University, Portugal (PT)
Adriano Viçoso, INESC-TEC, Aberta University, Portugal (PT)

Registration

Fees for full conference attendance, events and printed proceedings:

Before 14th October 2018 After 14th October 2018
Authors € 150 € 200
Regular (Non-Authors) € 200 € 250
Student (Non-Authors) € 50 € 75
Banquet Ticket € 35 € 35
Social Event Ticket € 50 € 50
Printed Book of Proceedings € 5 € 15

For every accepted paper or art installation, at least one conference registration fee must be paid by October 8th, 2018, so that the paper (full or short) or art installation proposal can be included in the Conference Program and published in the corresponding proceedings.

Conference registration includes lunch and coffee breaks.

Each accepted publication must be presented at the conference by one of the authors.

To qualify for the student rate you must present a letter from your supervisors,
or present a student ID from your institution, along with the registration.

REGISTER NOW

Registration at the ARTeFACTo 2018 conference will be made
by filling in the Registration Form, together with proof of payment by bank transfer sent to artefacto2018lisbon(at)gmail.com.

Call for Papers and Artworks

The call is now closed.

Thank you to all the authors who submitted their work.


Main Topics

Authors are invited to submit papers and exhibition proposals from all areas related to digital media art/ computer art, with emphasis on artefacts or art installations as well general-purpose interactive computer artworks, for review by an international committee. Descriptions of artistic practices, authorship or co-authorship (narrations of other works), with graphic records (such as images, diagrams, links to dynamic images, drawings, sketches, etc.) are valued. An international publication open to all involved in the creation / visualization / interaction of an artefact.

Topics of interest include (but are not limited to):

Digital (Transmedia) Storytelling
WebArt and Digital Culture
Digital Sound and Music
(Mobile) Augmented and Immersive Art
Digital Dance and Body Poetics
Digital Serious Games
e-Learning in Art and Media Studies
Information and Data Visualization
VideoArt and VideoMapping
BioArt, NanoArt and xArt
Cultures (Tangible) Interfaces
Gesture Interfaces
Spiritual and Sacred Artefacts
Transdisciplinary Pragmatic Performance
Generative and Algorithmic Art and Design
Digital Media, Apps and eBooks
Art and Technology
Art and Science Theory
Creativity Theory
Media Art History
Technology in Art Education

Important Dates

Notification to Authors: 2nd October 2018

Final Camera-Ready Submission/Early Registration: 14th October 2018

Early Registration: before 14th October 2018


The International Scientific and Art Committee is composed of experts in various disciplines. The conference program will consist of keynote speakers by eminent specialists, oral presentation of the contributed papers, art installations, videos and posters of the work-in-progress.

Authors of selected papers presented in the conference (including essays describing the best art installations) will be published primarily in the ARTeFACTo Journal (ISSN: 2184-2086) as well invited to submit extended versions to one of the following journals:

  • *Journal of Science and Technology of the Arts ISSN: 1646-9798 (http://artes.ucp.pt/citarj) (ISI-WoS Thomson Reuters – ESCI index, Scopus Elsevier and ProQuest)
  • International Journal of Creative Interfaces and Computer Graphics. ISSN: 1947-3117 (http://www.igi-global.com/IJCICG) (ACM Database).
  • *Revista Comunicar. ISSN:1134-3478 (http://www.revistacomunicar.com/ ) (ISI-WoS Thomson Reuters, Scopus Elsevier)
  • International Journal of Education through Art. ISSN: 1743-5234 (http://www.intellectbooks.co.uk/journals/view-Journal,id=121/ ) (Scopus Elsevier)
  • *Revista Ibérica de Sistemas e Tecnologias de Informação. ISSN:1646-9895 (http://www.risti.xyz/) (ISI-WoS Thomson Reuters, Scopus Elsevier)

(* journals under negotiation)

Submissions

ARTeFACTo 2018 has the format of a conference with technical sessions, invited talks, discussion panels, and exhibition areas for artefacts and installations. Contributions can be in the form of full papers, short papers and proposals for posters and artefacts exhibitions / art installations.

Authors are invited to submit:

  • A full paper of six to ten pages for oral presentation. Artefact descriptions are welcome, embracing part or the overall creation process, from seminal concept, implementation until the final exhibition preparation or the fruition experience analysis;
  • A short paper up to four pages for posters or the conceptual and technical information concerningartefact / artinstallations, computer artwork proposals.

SUBMISSIONS THROUGH EASYCHAIR (closed after September 10th).

Submissions are accepted in the conference official languages: English and Portuguese. If your paper or artefact / installation proposal is in Portuguese, please prepare an English version of the title and abstract, as this is required by ACM for publishing in the Digital Library.

ARTeFACTo 2018 uses a double-blind reviewing process. As such, submitted papers / artefacts / installation proposals should not have author and institutional identification in the title and header areas, nor in the body of the paper.

Explicit self-references should be avoided, instead, authors citing their own prior work should discuss it in the third person (“Previous work by <Author> [X1]…” instead of “In our previous work [X1]…”). Authors should also avoid mentioning the names of institutions where the work was done (“participants were recruited from the university campus”, instead of “participants were recruited from the <Institution name>”). Authors should also avoid clear identification marks of their affiliation in figures and supplementary material and remove metadata from submission files.

In addition to the text, made anonymous, for each paper, separate identification info must be provided at Easy Chair (easychair.org/conferences/?conf=artefacto2018), containing:

  • Name, organization, mailing and e-mail addresses of each author
  • Name of the contact author
  • A list of keywords

Template

Submissions must follow the ACM guidelines and template available here: ACM_SigConf.docx

In addition to author keywords, authors must provide a classification for their papers using ACM Computing Classification System (CCS). The classification system is available at http://dl.acm.org/ccs/ccs.cfm. You should examine the CCS thoroughly, but we recommend looking particularly inside the following categories:

  • Information systems -> Information systems applications
  • Information systems -> Multimedia information systems
  • Human-centered computing
  • Applied computing -> Arts and humanities

Technical questions regarding the template can be directed at acmtexsupport@aptaracorp.com

Photos, color pictures or graphics must be inserted only in two pages (full paper) or one page (short paper, artefact/installation proposals).


Proceedings

Authors of selected papers presented in the conference (including essays describing the best art installations) will be published primarily in the ARTeFACTo Journal (ISSN: 2184-2086) and also invited to submit extended versions to selected journals.

The Submission of a paper or art installation implies the intention of at least one of the authors to register and attend to the conference in order to perform a spoken presentation. Papers that are accepted and presented at the conference by one of the authors will appear in the conference proceedings. The final version of accepted papers should be submitted with the name of the authors and institutions (there’s no need for a further blind review).

Summary

Contact

Teresa Oliveira
E-mail: artefacto2018lisbon(at)gmail.com
Phone: (+351) 300 002 839 Ext: 82839


Important Dates

  • Full and Short paper submissions: September 10, 2018 (CLOSED)
  • Art artefacts / installations / digital media artwork proposals: September 10, 2018 (CLOSED)
  • Full and short papers notice of acceptance: October 2, 2018
  • Installations proposal notice of acceptanceOctober 2, 2018
  • Submission Full and Short paper final versions: October 14, 2018
  • Early registration deadline: October 14, 2018
  • ARTeFACTo 2018 Conference: November 16-17, 2018

Important URLs

  • Conference website: http://artefacto.artech-international.org/artefacto-conference-2018/
  • Call for papers: https://easychair.org/cfp/artefacto2018
  • Submissions: https://easychair.org/conferences/?conf=artefacto2018

Organizers

                              CIAC

 


Main Sponsor


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